Showing posts with label audio editing. Show all posts
Showing posts with label audio editing. Show all posts

Wednesday, July 25, 2012

4 Reasons Why Voice Actors Lose Clients


As professional voice over talent, we certainly want to create and maintain our great client relationships.  There are many things we can and must do to grow our voice over business.  When we lose a long term client or simply don’t get repeat business from a new client, there can be many reasons. Some of those reasons are out of our control:  the client doesn’t really hire talent often, they lose THEIR client, their client wants to change the gender, age, style of the voices they use, etc.  However, sometimes, we might lose a client due to something we have or have not done.

The following is an article written by Edge Studio addressing four common and likely culprits that might cause us to lose clients.   Do you see yourself neglecting any of these areas?  Have you let some things slide due to keeping busy with other matters or just letting yourself get off track?

Read the article, and double check yourself to make sure you’re doing all you can to remain marketable and employable!

4 Reasons Why Voice Actors Lose Clients

The fact is, the voice over industry is continually evolving. So if you don't evolve along with it, YOU'LL LOSE CLIENTS.
Voice talent continually ask for our help. They say, "I'm getting less work than I used to." We ask why. They're either not sure, or they guess it's because they've been battling allergies, their clients must have wanted a new voice, there must be more competition, their demo may be getting old, a new agent opened up in town,....... On and on.
There Are 4 Reasons Why Voice Talent Start Losing Work. Read the sections that pertain to you
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Vocal Delivery: ARE YOU NO LONGER TRAINING?
Story: A while ago, one of our clients hired a student we had just trained to narrate a large series of videos. They loved his voice.
Recently we hired him back to narrate another large project. This time, he no longer sounded good. He lost a good client. I asked if he'd been practicing. He said no.
There are 3 reasons why CONTINUED TRAINING IS SO IMPORTANT:
You can fall into bad habits (no one tells you why you lose auditions!) Other voice talent will get better than you (watch out!) Clients always need new styles (new styles for podcasts, self-guided tours,...)
Solution: At minimum, work with a coach every other month to ensure you maintain. Preferably, work with a coach every month to become better and offer more clients more styles! Remember: your vocal delivery is your livelihood!
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Home Studio Quality: ARE YOU RESISTANT TO TECHNOLOGY CHANGE?
Story: A voice talent sent me an audition recording. Their voice was PERFECT. But their home studio quality wasn't. The client did not like them. (Note that some clients CANNOT DIFFERENTIATE between poor home studio recording and poor vocal performance.) After telling the talent this, she replied, "But this used to be fine." Yes, 5 years ago, her quality was considered good for a home studio. Today, however, clients are used to better quality.
Here are a few other examples of not keeping up with technology: Talent ask if they can fed-ex a CD to me. "Huh?" Why can't they FTP it to me? Or oftentimes we hear slight noises in recordings. Why? I guarantee the talent will lose some work. Fall behind in technology, and your clients may leave you behind.
Here are technology items to stay current with: equipment (editing on old software is slower, so you charge more, and bid too high) editing software / file type knowledge (unfamiliar with the new file extensions for flash? this scares clients) delivery methods (still have "fed-ex" on your rate card? you look outdated)
Solution: Hire someone to visit your studio once every 6 months for a tune-up. Have them update your software, show you new editing features, check sound quality, and set you up for new file types.
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Marketing: ARE YOU COMPLACENT?
Story: At a recent voice over event, I was re-acquainted with a lot of old-timers who told me, "I'm not getting the amount of work I used to get!" Funny, I thought they hadn't marketed to me in years and subsequently I had forgotten about them and how talented they are.
Trust me: there is a reason why major retailers (Honda, Sears, McDonalds,...) continue to promote themselves. If they don't, competitors will eventually take over. IT'S THE SAME THING IN VOICE OVER.
Many old-times got all their work from a few clients and/or agents. But things change. Sometimes suddenly. Are you prepared? Or do you rely on a few select clients (who could suddenly go out of business), and meanwhile you're not prepared to market?
Here are marketing to stay current with:
marketing frequency (do you think single marketing efforts are still enough?) marketing types (do you think business cards are still all you need?) marketing messages (still trying to be a jack of all trades?) marketing quality (perforated edged, matrix printed business cards don't work today)
Solution: hire someone who knows voice over marketing to review your business plan (do you even have one? if you want to grow, you should have one). take a workshop at edge or even at a local college.
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Professionalism: ARE YOU BUSINESS-LIKE?
Story: One of our clients got VERY upset with a voice talent who we hired recently. So upset, they chose to replace him with another talent! Obviously we won't hire that talent anymore. But the weird thing is that the voice talent didn't even realize what they did wrong!
Face it: our little industry has grown up. It's now a big, professional industry complete with a set of do's and don't's. And sure, as with anything, as time goes by, there are more and more changes. So for those of you who are beginning your voice over career, you MUST LOOK PROFESSIONAL from the start. And for those of you already immersed in the industry, you MUST CONTINUE looking professional. If you don't, you chance losing clients.
You MUST always stay on top of: appearing professional (the jargon, the sequence of events,...) dealing with corporate types: knowing when to ask which questions the general in's and out's of the industry the ever-changing politics of the industry (unions, agents,....)
Solution: Study the industry. Speak with folks who are in it. Read books. DO WHAT YOU CAN to come across business-like. This makes a BIG difference in the amount of work you get.

Saturday, February 28, 2009

Voice Talent Advice #9 - Editing Breaths

As voice talent with our own home studios we engineer our own sessions; however, many of us do not consider ourselves to be true audio engineers. We have learned enough and purchased the right equipment to produce a high quality sounding recording, and some of us can even mix in a little music, but personally, I would not really call myself an engineer. I know my audio engineer friends would heartily agree with me.

There are, of course, voice talent out there who have as many years engineering as they do voicing. By that, I mean they have many years of both! What I'm about to share is not for them, but for those of us who have many more years voicing than engineering for ourselves. This seems so simple, but I hadn't really thought of it before. One thing that often bothers us in playback is that a breath may seem too loud or there is some other extraneous noise between words. Although some audio software (Pro Tools, I believe), does allow you to "soften" all the breaths in one fell swoop, others of us using different software have to manually deal with each offending instance.

There are a number of ways we try to do this. The breath can simply be cut, the area can be "silenced", the breath can be normalized to a much lower level, or you can record ambient sound and cut and paste it in place of the breath, noise, or gap between the words. Cutting works if there is enough space to allow for a normal pause between words, but if there is not enough space, the result will be a choppy, disjointed reading that will affect your normal timing. To highlight the offending area and replace it with silence can work, especially if music will be mixed with the voice eventually. However, if music is not going to be added, there might be a noticeable difference between the noise floor of your read and the space between the words. This will sound too abrupt - like a drop out - and draw attention to the fact that editing has been done. It could also possibly highlight the general noise floor of your recording - which, hopefully, isn't the case since you've learned to keep that noise floor low.

Lately, I've found what works best for me in the situation where I don't want to leave the breath at all or there is some other noise is to highlight that area and simply hit record. The space is automatically filled with the ambient noise floor of the entire recording. I'm sure some of you are having a "well duh" reaction, but I can honestly say this just occurred to me recently. It's so much simpler than cutting and pasting ambient sound into that space.

As I said, I'm sure many of you are way beyond this information, but I thought there might be a few other "non-engineers" out there who could benefit from my little "discovery". It's made a world of difference to me.

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